27.12.2019

Descargar Cd De Musica Tropical Uruguaya

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Since 2003, Madrid's Vampisoul Records has been a label to treasure for all those in search of the cool. The vibrant Spanish label has developed a colorful roster of eclectic music, unearthing once-lost Peruvian psych, Brazilian rock, Harlem boogaloo, Detroit soul, Afrobeat, lounge, salsa and much, much more. Releases are enhanced by deluxe, stylish packaging - on both CD and vinyl formats - offering extensive liner notes and rare photos. Vampisoul remains absolutely essential for soul, funk and rare groove fans in search of more of the old gold. Welcome to the third instalment in Vampisoul's series dedicated to the original Italian library music from the vaults of Nelson Records.

In this album, the label digs deeper into the most experimental recordings in the archives of Nelson Records. The label was founded in 1970 by the musicians Maurizio Majorana, Antonello Vannucchi, and Roberto Podio (who along with Carlo Pes would be known as I Marc 4), after establishing the Telecinesound studio, right where the New Italian Library Sound was created. They recorded with Armando Trovajoli, Piero Piccioni, Ennio Morricone, Piero Umiliani, Henry Mancini, and many others, and created a special sound, mixing jazz, pop, rock, and psychedelic music, to produce records aiming to be used by the programmers of the Italian RAI television. The music of Thrilling Mortale is mostly special effects, drum breaks, fast bongo rhythms, and groovy Hammond background sounds inspired by cinema noise experts who did not use any musical instruments and had only a few objects to recreate the noises of the films; from horse rides to closing gates, everything was done in the traditional way. I Marc 4, instead, would recreate those sounds with bass, guitar, drums, piano and Hammond organ. Many musicians, record producers and film directors still like, look for, rediscover and re-use for their work, and the music on these albums recorded by I Marc 4 between 1970-1976 have reached cult status among library music collectors. The career of Atlanta's singer and guitarist Lee Moses only left behind eight 45s and an album between the mid-60s and 1973.

Heard today, it's difficult to understand why success evaded those recordings, as they possess a quality and emotional intensity to match any soul track from that classic era. Particularly his 1967 Musicor single, produced by Johnny Brantley, featuring the two parts of his own composition 'Bad Girl'. After its slow build-up comes a torrent of passionate, raw emotion delivered with throat-shredding vocals that is incredibly powerful and moving. Pure soul gold. The Village Callers were born out of a band called Marcy & The Imperials in the mid-1960s and soon became very popular in East Los Angeles, playing all the top venues. Their first 45 featured two original compositions: 'Hector' on the A-side, an original composition which became a hit in Los Angeles, backed by the wonderful ballad 'I'm Leaving'. The infectious Latin groove of 'Hector' was later sampled by hip-hop artists such as De La Soul, Beastie Boys, Cypress Hill, and Ice Cube.

'Hector' was also featured in Quentin Tarantino's Once Upon A Time In Hollywood (2019). Voyage Of Exploration (2012) and Synaptic Beat (2013) established Akron as one of the best sonic and mood explorers out there, achieving an engaging personal sound while carrying on the legacy of greats such as Les Baxter, Delia Derbyshire, Mort Garson, Sun Ra. Free from any scene or genre constraints, Akron managed to combine a myriad of sounds in a completely unique way. Soon after the release of Synaptic Beat, Akron became a quartet in order to perform their music on stage.

After a few gigs they recorded an album with the aim to capture the essence of their live set-up. The result, Ritualul Sferei (The Ritual of the Spheres), resembles a pseudo-tribal ceremony that takes place in an inhospitable corner of the universe. It could be a rite from an unknown civilization living in a different planet or an enigmatic earthly celebration from another time (past or future).

For five years that recording was put aside and the band's live performances stopped. At last, Ritualul Sferei has been finished and sees the light of day. Vampisoul present a reissue of Maxayn's self-titled album, originally released in 1972.

Uruguaya

Tulsa vocalist Paulette Parker joined the renowned vocal group The Ikettes in 1967, before meeting Andre Lewis, whom she would marry some time later, changing her name to Maxayn Lewis. Both of them, along with former colleagues of Andre in the group Buddy Miles Express, formed in 1970 a new band that would be baptized after the singer's own name: Maxayn. Their first recording was self-funded and easily achieved a contract with the company Capricorn Records to release it. It was in 1972 when that first album, self-titled, saw the light. The result is a superb record of soul and funk spiced up with a gospel vibe and also a distinctive rock sound.

As a curiosity, two of the most soulful and deep songs by The Rolling Stones, 'Gimme Shelter' and 'You Can't Always Get What You Want', were chosen to be part of the album's repertoire and in both cases Maxayn's vocal performance manages to appropriate these two famous songs to the point that it seems that they were originally written for the singer herself. Facing two classics of such high caliber and successfully passing the test is a challenge that few would dare to try. Not in vain, Maxayn deserves to be placed in the same league as other better-known funk artists such as Betty Davis or Yvonne Fair. Along with the successful versions of the Stones, their own compositions include 'Trying For Days', 'Jam For Jack', 'Song', and 'Doing Nothing, Nothing Doing', in which the energetic tandem formed by Maxayn's voice and the solid support of the band's musicians achieves an electric and timeless result. Presented in facsimile gatefold sleeve and pressed on 180 gram vinyl.

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This article needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( March 2009) The most distinctive music of is to be found in the and; both genres have been recognized by as an Intangible Cultural Heritage of Humanity. Uruguayan music includes a number of local musical forms such as, a form of musical theatre, and, a folk guitar and song form deriving from Spanish traditions and related to similar forms found in many Hispanic-American countries.

Main article:Candombe has recognized by UNESCO as Intangible Cultural Heritage of Humanity.Candombe originates from the, where African brought their and music. The word tango then referred to the traditional drums and dances, as well as the places where dancing occurred. Candombe rhythms are produced by drum ensembles, known as, which include dozens of drummers and feature three drum sizes: tambor repique, tambor chico and tambor piano, known as.Popular candombe musicians include. Fattoruso has been a longtime part of both the Uruguayan and scene, including as a member of rock band, and band, as well as Brazilian and the and group. It was in the 1970s the most important Latin band in the United States according to the magazine Down Beat.The Afro-Uruguayan rhythm Candombe has played a significant role in Uruguayan culture for over 200 years.

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The rhythm is created by the use of three drums (tambores); tambor piano, tambor chico and tambor repique. The piano is the largest in size and the lowest in pitch of the three tambores. The rhythmic base of Candombe, its function similar to that of the upright or electric bass. The chico (literally 'small') is the smallest in size and highest in pitch of the three tambores, serving as the rhythmic pendulum. The tambor repique (ricochet) embellishes Candombe's rhythm with improvised phrases. Each of the three tambores is played with an open hand (mano) and a stick (palo) in the other. At a minimum, one of each of the three tambores must be present.The purest form of Candombe takes place each Sunday night on the streets of Montevideo, where many drummers assemble, playing their drums under the moonlit sky.

Is the main street that joins Cuareim and Ansina, Candombe's two main social groups. For over a century spontaneous cuerdas have paraded on this street, and continue to do so today (Isla de Flores is also known by its other name, Carlos Gardel).

As the cuerda slowly makes its way through the narrow streets of Montevideo, this contagious rhythm takes with it all in its path, surrounded on all sides by the neighborhood people moving their bodies to the rhythm of Candombe. At intervals the cuerda will pause, and by setting a fire, will heat their drums' skins for tuning purposes.Milonga. Main article:Murga is a kind of Montevidean for celebrations. A traditional murga group comprises a chorus and three percussionists and this is the type of murga performed on stages at Carnival. The singers perform in harmony using up to five vocal parts. Vocal production tends to be nasal and loud with little variation in volume.

The percussion instruments, derived from the European military band, are the bombo (a shallow bass drum worn at the waist and played horizontally), redoblante (snare drum) and platillos (cymbals). The two most important pieces of the performance are the opening song ( saludo) and the exit song ( retirada or despedida). These get played on the radio during thePopular music Canto popular Canto popular ( popular song), which arose around 1975, eschewed contemporary instrumentation, including electric instruments, allowing only native styles and rhythms. This can be compared to Spanish-language developments like,. Was by far the most important Uruguayan exponent of canto popular; his song 'A Desalambrar' became an international popular classic. Canto popular peaked in about 1977.Uruguayan artists involved in canto popular include, and.Candombe beat Candombe beat began in the late 1960s with, a band featuring. Emerging at the same time as they forged their own identity with very little Western influence.

The beat of formed the rhythm, played a large role in its chords and structure, as did traditional Uruguayan folk music. Mateo and Rada would both go on to have successful solo careers, and the music's influence would play a large role in and.was the most important group of Candombe Beat in the early 1970s. One of the later exponents of candombe beat was whose popularity in Uruguay began in the 1970s and has continued through to the 21st century.Cumbia By mid-2015, the Uruguayan bands and of the emerging subgenres 'cumbia cheta' and ' enjoyed great success all over even before publishing their first albums; particularly in their home country and in Argentina, where in a given moment they had together nine songs at the Top Ten ranking. Other Uruguayan bands of success are: Toco Para Vos, Toco Para Bailar and Golden Rocket.Uruguayan rock. Main article:first broke into Uruguayan audiences with the arrival of British band in the early 1960s. A wave of bands appeared in Montevideo, including, and, who became major figures in the so-called of Argentina. With the coming of the military dictatorship in 1973, the Uruguayan rock scene effectively died; since the mid-1980s it has resurged.

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Since the beginning of the 2000s Uruguayan rock has achieved a great popularity. Popular bands like, or have a massive following in the. Annual festivals throughout the country like in, and Minas & Abril in, or Semana de la Cerveza in, peaked more than 100,000 people several years with some of those groups as closing guests.Other important bands are:, and.Classical music The modern and are renowned in their field., a classical guitar virtuoso performer is worldwide known for having established a new school of instrumental technique. Among the best-known composers of Uruguay we find, and.There are several classical orchestras performing countrywide.The (acronym for 'Official Service for broadcasting Radio, TV, and Performing Arts') is the main institution generating cultural activities for the whole country. Created in 1929, it manages a symphonic orchestra, a chamber music and ballet ensembles, a choir, among others.

Among its past artistic directors, was the Uruguayan classical composer,.Montevideo's City Hall has several orchestras performing classical as well as popular music, like the.Other genres The Oscar-winning singer-songwriter has a prolific career, mostly on the Latin rock genre. Has collaborated with him, as well as with and is a member of.Since 1997 (stylized as latejapride. or ltp.) is an alternative hip hop band/collective from Montevideo. In the 1990s was also a prominent hip-hop band, and also ventured into rap.also known as 'Buenos Muchachos' is an alternative rock band from Montevideo.Latin rock band alongside are the most representative reggae bands; both also mix ska and rock.is a six-member project, born in 2007 in Montevideo, leading the electronic, disco punk and rock pop music in the country.developed polka, folk rock and funk.is a thrash and heavy metal band. Meanwhile, the metal band defines its style as 'metal criollo'.The singer-songwriter has a long history and prolific career, working together with important artists in the world.References.