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Contents.Early life Malaysia Vasudevan's parents were from. Chattu Nair of and Ammalu of Polpulli, along with their families migrated to in search of a livelihood. They became labourers in the rubber estates in Rajaghiri estate, Kuala Selangor. After a few years, Chattu Nair married Ammalu in an arranged marriage. Vasudevan's mother is the second wife of his father. Vasudevan was born on 15 June 1944 as their eighth and youngest child. Even though he was a Malayalee, as was the case with the majority of contemporary South Indian migrants to then, his surroundings in Malaysia was dominated by the Tamil language and culture.

1. Ms Viswanathan Hits Download Starmusiq

As such, Tamil became his language of choice, at school and at home.Chattu Nair was musically inclined and all his children grew up with a natural ability to sing and appreciate music. Malaysia Vasudevan had once said that all his family members, except his mother Ammalu, were singers. Chattu Nair used to entertain the estate labourers by singing. He first started learning music from his father and later on, his brother taught him.

Vasudevan started singing on stage when he was eight. Vasudevan was also interested in acting.When Vasudevan grew up, he attached himself to Tamil drama troupes in Malaysia as an actor and singer. The producers of one of his plays Ratha Paei, wanted to make it into a film. Vasudevan came with the group to Chennai and acted in the film Raththa Paei. He even sang a song for the film under the baton of, for whom was working as the assistant.Professional career Playback singer Malaysia Vasudevan's first major song was in the film Delhi to Madras, that starred. It was a comedy song 'Paalu Vikkira Padma Un Paalu Romba Suthhama?'

, for the music director. This chance was made possible by his friendship with the film's producer Pollachi Rathnam. After that, he joined the Pavalar Brothers troupe which was run by and his brothers.During a stage performance, music director heard Vasudevan and gave him a small piece of a song in Bharatha Vilas (he sang for the Punjabi in 'Indhiya Naadu En Veedu') and then a song in Thalai Prasavam. His first big break came when made him sing 'Kaalam Seyyum Vilaiyattu' in Kumasthavin Magal. Vasudevan was rechristened Malaysia Vasudevan by in this film.Later, when his good friend Ilaiyaraaja debuted in the Tamil film industry with Annakili, he was asked to sing in the film, and after 'Aattukutti Muttai Ittu' from happened, Malaysia Vasudevan never looked back. Ilaiyaraaja backed him until he became a star singer.Malaysia Vasudevan has sung close to 8,000 songs in his career spanning three decades, most for Ilaiyaraaja.

Illayaraja made Malaysia Vasudevan sing songs of all types and genres. Malaysia Vasudevan performed each song with utmost sincerity and surprised everyone with the range he had.Soft romantic songs like 'Indha Minminikku' ( ), 'Vaan Megangalay' ( ), 'Malargale Nadha Swarangal' ( Kizhake Pogum Rayil), 'Malargalilay Aaraadhanai' ( Karumbu Vil), 'Kodai Kaala Kaatray' ( ), 'Poove Ilaya Poove' ( Kozhi Koovuthu), 'Thangachangili Minnum Painkili' ( ), etc. Must be some of the timeless favourites of Tamil film music lovers.Even under the baton of M. Viswanathan, Malaysia Vasudevan sang many illustrious songs. 'Ezhudhugiral Oru Pudhukkavithai' ( Saranaalayam), 'Enniyirundhadhu Eadera' ( Andha 7 Naatkal) and the super-hits from are just a few examples.Sensuous songs like 'Kanna Thorakkanum Saami', or 'Nila Kaayudhu' and emotional songs like 'Oru Thanga Rathathhil' ( ), 'Allithhandha Bhoomi Annai Allava' ( Nandu), 'Adi Aadu Poongodiye' ( Kali), 'Vaa Vaa Vasanthamey' ( Puthu Kavithai), 'Pattuvanna Rosavam' ( Kannipparuvathile) and 'Ponmaana Thedi Naanum Poovodu' ( Enga Oor Rasathi) all came easily to Vasudevan and succeeded in showing some other brilliant facets of the wonderful singer. His largely folksy tunes sung for are also of inimitable class.

In the nineties, he got to sing a few, but most of them sensuous hits, for, including 'Then Kizhakku' ( ) and 'Monalisa Monalisa' ( ). The famous song 'Poo Pookum Osai' ( ) featured Vasudevan's voice in the chorus part.He was the king of singing folk songs and songs with a village background, he was the voice behind several of Rajni Kanth's hit songs and he, Malayasia Vasudevan, sang a good number of hit duets with.

Ilaiyaraaja chose this singing pair whenever he had a folk song or a song which needed some special singing and they successfully made all his works big hits.Some of the best songs of Malaysia Vasudevan happened at the time when he was considered the voices of and; songs like 'Mudhal Mariyathai', 'Pothuvaga En Manasu Thangam' ( Murattukalai) and 'Aasai Nooru Vagai' ( Adutha Varisu) to name a few.Malaysia Vasudevan was like, who was content with the popularity achieved only in Tamil. He was of the notion that if he sang in other languages, he should have known well the nuances of other languages.Vasudevan worked with many music directors such as,. After, he was called as the ghost voice for. His first song was for the film Delhi to Madras. He has sung over 8,000 songs in Tamil and over 4,000 songs in various other South Indian languages.

He has also sung a few songs in Hindi.Malaysia Vasudevan has sung many songs for. Some of his notable songs for Rajinikanth were 'Singamondru Purapattadhe' ( ), 'Yejaman Kaladi Manneduthu' ( ), 'Agaya Gangai', 'Oru Thanga Rathathil' ( ) 'Solli adippaenadi' (Padikkathavan), all songs in Adhisayap piravi and many others.He has also lent his voice for a few albums, the most notable among them is Disco Disco (1987), a collaboration with composer Dilip (A. Rahman) and playback singer.

The album is noted for being the first album production of. Though it didn't become much popular, Disco Disco Vol 2 was also released later.Music Direction Malaysia Vasudevan composed music for a few movies like 'Itho Varugiren' 'Samanthi Poo' (1980), 'Pakku Vethilai' (1981) 'Ayiram Kaigal' 'Aaraavathu Kurukku Theru' (1984), 'Kolusu (1985), 'Rajaavin Paarvai'(1988), etc.Acting career Malaysia Vasudevan has also acted in nearly 85 films. Veteran Tamil director christened him 'Malaysia Vasudevan'. Some of his notable films include (with ), Mudhal Vasantham (with ), Oomai Vizhigal (with ), Kathanayagan (with Pandiyarajan), (with ), Jallikattu, and Kokki. Besides acting in films, he has acted in a good number of tele-serials.Writer Malaysia Vasudevan wrote a book of poems called 'Ennam Thondriyathu Ezhutha Thoondiyathu' in the year 2010.Last projects Vasudevan's last song was 'Happy' from the film (2010), in the music of Devan Ekambaram. His last film as an actor Ithanai Naalaai Engiruthaai is yet to be released. The last song he wrote was 'Devathaiye' for the film Balam (2009), in the music of his son Yugendran Vasudevan Nair.Personal life Malaysia Vasudevan married Annaporani, also known as Usha Vasudevan on 26 January 1976.

Malaysia Vasudevan has three children, and Pavithra. His son has acted in many films in Tamil and other languages. He is also a playback singer in Tamil. His daughter is a playback singer. She has sung songs like 'Mundhinam' in the movie and many more. Pavithra is married and resides in.

Malaysia Vasudevan has five grandchildren. Visashan Naarayan, Kishan Naarayan and Darshan Naarayan Nair born to Yugendran, Sai Narayan born to Pavithra and Rithvik son of Prashanthini.Awards He has been awarded by the Tamil Nadu Government. He is also a 2-time winner of the.Death A chronic and patient, Malaysia Vasudevan suffered from a in 2003, which slowed down his mobility.

On 10 February 2011, he was admitted for high fever. He had gangrene in his big toe. He succumbed to the gangrene on 20 February 2011 in,. Notable songs.

Manayangath Subramanian Viswanathan, also known as ( M.S.V.) (: எம். விஸ்வநாதன்), is a Music Director from South India. He is considered to be one of the versatile and significant composers in,he is popularly known as Mellisai Mannar (: மெல்லிசை மன்னர்) ( for 'The King of Light Music').

He has composed for a total of 1200 films composing songs in Tamil, Malayalam and Telugu, Kannada and Hindi languages. His major works over the past five decades have been in, and films. He has also acted and sung in a few Tamil films.

Conferred the Thirai Isai Chakravarthy (: திரை இசை சக்ரவர்த்தி) ( for 'The Emperor of Cine Music')title on him in August 2012 and presented with 60 gold coins and a new car to him. Viswanathan Ramamoorthy duo composed music for 100 Tamil films from the film Panam in 1952 till Ayirathil Oruvan in 1965.

Thereafter M.S.Viswanathan on his own composed music more than 1100 films from 1965 till 2013 including 78 Malayalam films,15 in Hindi, 15 Kannada films and 50 Malayasia films and 29 in Telugu. He reigned supreme in Tamil films from 1965 to 1985 and films with his music released consecutively every year from 1950-1996. He sang under his own composition over 500 songs and in addition sang 200 songs composed by other music directors. Ramamoorthy composed for only 19 films on his own after the break up in 1965 till 1986. Viswanathan was born on 24 June 1928 to Manayangath Subramanian and Narayanikutty (or Naanikutty) in Elappully village in, Kerala, India. He lost his father when he was four.

He was saved by his grandfather when his mother decided to kill him and herself as an escape from abject poverty and lack of support. According to him,he even sold refreshments in a movie theatre for a living in his childhood and learned music from Neelakanda Bhagavathar in the period 1933–1939 resulting in his first stage performance in when he was only 13 years old. Was born into a famous musical family in Trichy and was a talented violinist since young.His father, Krishnaswamy Pillai and grandfather, Malaikottai Govindasamy Pillai were well known violinists in Trichy. Ramamoorthy gave several stage performances along with his father since his childhood days.

Noted the young Ramamoorthy's talent and hired him as a violinist for HMV when he was only fourteen years old. He later worked in Saraswathi Stores where AVM Studio's boss,was a partner – which lead him to play violin for AVM's music composer, R.

Sudarsanam, in some films. During these days, he also became friendly with P.S.Diwakar, the famous pianist cum music composer in the Malayala films and was staying with P.S.Diwakar while seeking opportunities. By this time, was a rising star in the South Indian film music world and Ramamoorthy rejoined him as one of his violinists in his musical troupe. There, he met, another famed violinist. M.S Viswanathan joined this troupe later as a harmonium player in 1950.

Viswanathan had always wanted to be an actor and singer, but was not successful. He had done a few small roles in stage dramas in the 1940s. The famous music composer in the 50s, who was a violinist for the doyen of the Tamil film music, when he met the young struggling Viswanathan, took a liking to him and arranged a job for him as an errand boy for S. Venkatraman's musical troupe. In that company of all musicians, Viswanathan realised that he had the inclination and the potential for composing music. He thereafter joined and at times assisted him.

He then joined as a Harmonium player where he met both T.K.Ramamoorthy and, the two leading violinists at that time. also became a renowned music composer on his own in the 1950s. MSV was known as a master of playing 3 instruments -harmonium, keyboard and paino by the age of 13 whereas Ramamoorthy was known as master in playing violin by his age of 14.

Subburaman died unexpectedly, Ramamoorthy and Viswanathan joined together and completed the background music for the films Subburaman was working on like Devadas, Chandi Rani and Marumagal. Knew them both fairly intimately and also their respective talents by then because of his close relationship with C.R.Subburaman, with whom he had worked earlier in several films.Meanwhile M.S. Viswanathan also worked as the third composer in the film Genova where the other composers were M.S Gnanamani and T.K.Kalyanam. Ramamoorthy, despite being an excellent musician with an orthodox carnatic musical background, was a modest, shy, and a reserved person whereas M. Viswanathan was naturally talented, charming, forward and dynamic although he lacked the similar background in Carnatic music. Ramamoorthy was older than Viswanathan by seven years, but placing of their names as Viswanathan-Ramamoorthy was agreed upon by both parties on the advice of Krishnan, who thereafter got the duo their first chance to score Panama 1953 film produced by A.L.Seenivasan and directed by Krishnan himself.

The duo considered C.R.Subbaraman as their mentor and have said their other inspirations include music of T.R.Papa and S.V.Venkatraman. Later the duo was asked to do the background score for the film Ratha Kaneer by its music composer C.S.Jayaram. M.S.Viswanathan's achievements range from introducing fresher melodies with changing trends, style and orchestration approaches to incorporating various genres of what is now called world music into Indian cinema music. Humming, Chorus, Whistling were all incorporated swiftly in the songs composed by M.S.V without usage of advanced technology way back in the 1950s to the 1970s.

MSV continued to upgrade his music with new trends like western music and disco from the early 1970s till 1990s and blended them with Indian classical tunes. Viswanathan during the late 70s and 80s chose mainly the young, up and coming singers, and giving career's of these singers the much needed boost.

During the 70s and 80s he chose mainly the young, up and coming singers, and giving their career the much needed boost whilst still continuing with P.Susheela, L.R.Eshwari and T.M. Soundararajan in many films between 1970-1991.

Although S.P.Balasubramaniyam shot to fame with the song 'Ayiram Nilave Vaa' from Adimai Penn, a composition in 1969 which S.P.Balasubramanyam got to sing the song the insistence of, but fact was that it was Viswanathan who booked him first for a Tamil film and gave him his first Tamil song, from Shanthi Nilayam with the song 'Iyarkai Ennum' also in 1969, though the latter got released after Adimai Penn. S.P.Balasubramaniyam regards Viswanathan as one of his patrons and Gurus in the Tamil films. Viswanathan introduced, the Malayalam singer to the Tamil films in Manippayal(1973) with the song Thanga-chimizhpol and used him for many more films in the 70s. Was given a big break in the film Kathalikka Neramillai in 1964 by the duo. Then Ramamoorthy used him for the hit song Vasantha Kalam Varumo in the film Marakka Mudiyuma in 1965.But Viswanathan started working with him again only in 1973 after a long gap at the insistence of in the film 'Ulagam Sutrum Valiban'. Yesudas then continued to be his voice in many films like in Nalai Namathe, Urmaikural, Sirithu Vazha Vendum etc., in Viswanathan's music. Then Viswanathan used Yesudas as the voice for the up-and-coming actors of the late 70s like Sivakumar, Kamalahasan, Vijaykumar and others.

He is also considered responsible for making singers like R.Balasaraswathi in the early 1960s and then in making Vani Jayram, S.Janaki, A.L. Raghavan, Yesudas, S.P.Balasubramaniyam a popular name since late 1960s. Film directors like S.S.Vasan, B.R.Panthalu, B.S.Ranga, Krishnan-Panju from the 1950s then A.Bhimsingh, Madhavan, C.V.Shridhar, T.R.Ramanna, A.C.Trilogchander, K.Shankar, K.Balachander, Mukta V Srinivasan, Chitralaya T.R.Gopu, Cho Ramasawamy, Malliyam Rajagopal, Madurai Thirumaran, K.S. Gopalakrishnan, Dada Mirasi from 1960s preferred to have Vishwanathan as music director in their films from the 1960s till early the 1990s.

From the 1970s directors like S.P.Muthuraman, Major Sundarrajan, N.S.Manian, Bhagyaraj, R. Krishnamurthy, D.Yoganand, C.V. Rajendran, P.Madhavan, K.S. Prakash Rao, R.C.Shakti, I.V. Sasi, Vietnam Veetu Sundaram, M.S.Gopinath, Taraka Rama Rao Nandamuril, Amirtham frequently worked with Vishwanathan and later from the 1980s to the early 1990s new directors like Visu, S.A.Chandrashekar, Mouli, Major Sundarrajan, A.Jaganathan, Komal Swaminathan,Amirtham, R.C.Shakti collaborated with Viswanathan regularly. In the 1990s directors like Lakshmi, K.Raghunath collaborated with him.

M.S.Vishwanathan has composed music in Hindi for films like Barah Ghante (1975),Bachche Mere Sathi (1972),Aakhri Nishaan(1974),Jesus(1976), Hum Tumko Dekh Lenge(1978), Pyaara Tarana (1982), Zulm Ki Zanjeer(1984). Many of the Tamil movies were also dubbed into Hindi and for the dubbed versions the songs were re-recorded in Hindi by him, with original tune composed by Vishwanathan being retained as in the original.But unlike the kind of success he enjoyed in South India from 1959-1996, he did very less work in Hindi and though songs were melodious, media attention and publicity for those songs was negligible as those Hindi films for which he composed music had flopped. The songs like Aandhi Ke Sang Toofan sung by Ambar Kumar,Jaaneman Tujhpe Hai Aaya Dil sung by Krishna Kalle,Loot Le Le Tu sung by Chetan and Pushpa Pagdhare are some of the songs composed by him which became famous at the time of its release.The duets of Vani Jayram-SPB like Meri Akhiyan Me and Dil Mein Dard were also popular. He has done playback singing for 500 songs composed by himself and has sung over 200 songs of composed by music directors like, Yuvan Shankar Raja. M.S.Viswanathan has also scored music for many non-film albums and for political campaigns. MSV is the inspiration for music directors Shankar Ganesh, Ilayaraaja, Deva, V.

Kumar, A.R.Rahman, Vidyasagar, Gangai Amaran, Bharathwaj, Yuvan Shankar Raja and others. His achievements also include appearances in numerous films and television series.M. Vishwanathan went on to act in a couple of Tamil feature films notably appearing in Kaadhal Mannan after being convinced to do so by actor Vivek, while he also starred in Kamal Haasan's Kaathala Kaathala and Karthik's Rojavanam. Since 1996 Viswanathan has focused on composing devotional music and serving as a judge in Malayalam TV reality shows.He has collaborated with Illaiyaraja in 'Mella Thiranthathu Kathathavu', 'Senthamizh Paatu' 'Vishwa Thulsi' and 'Senthamizh Selvan' starring Prashanth.

He sang the song 'Vidai Kodu Engal Naadae' for 2002 Tamil film 'Kannathil Muthamittal' composed by A.R.Rahman. Then in 2013 he sang for the film Neelam – the song called 'Alayae o Alayae' and it was recorded in the supervision of music composer Satish Chakravarthy. He in 2013 composed music for the film, with Yuvan Shankar Raja While M. Viswanathan composed the tunes in the 2013 Thillu Mullu film, Yuvan Shankar Raja orchestrated and recorded them.

Including this No. He has Sung a Song,‘Saami Namba saami' which is penned by for the film 'Mannar Valaiguda',Composed by S.Siva Pragasam. Ramamoorthy was born into a famous musical family in Trichy and was a talented violinist since young. His father, Krishnaswamy Pillai and grandfather, Malaikottai Govindasamy Pillai were well known violinists in Trichy. Ramamoorthy gave several stage performances along with his father since his childhood day.

Since young, T. Ramamoorthy is a violinist. He in early 1940's worked in Saraswathi Stores where owner was a partner, which lead him to play violin for AVM's music composer, R.

Sudharsanam, in some films. During these days, he also became friendly with P. Diwakar, the famous pianist cum music composer in the Malayalam films and was staying with P. Diwakar while seeking opportunities. Noted the young Ramamoorthy's talent and hired him as a violinist for HMV.

By late 1940's, was a rising star in the South Indian film music world and Ramamoorthy rejoined him as one of his violinists in his musical troupe. There, he met, another famed violinist Viswanathan. Viswanathan had always wanted to be an actor and singer, but was not successful. He had done a few small roles in stage dramas in 1940's.

The famous music composer in the 50s, who was a violinist for the doyen of the Tamil film music, when he met the young struggling Viswanathan, took a liking to him and arranged a job for him as an errand boy for S. Venkatraman's musical troupe. In that company of all musicians, Viswanathan realized that he had the inclination and the potential for composing music. He thereafter joined and at times assisted him. He then joined C.

Subburaman as a Harmonium player where he met both T. Ramamoorthy and T. Lingappa, the two leading violinists at that time.

Lingappa also became a renowned music composer on his own in the 1950s. It was the second film for and the first film for the successful pair in the history of Tamil Films, Sivaji Ganesan. For first time their names appeared as Viswanathan Ramamoorthy.

Until then, the names appeared as Ramamoorthy Viswanathan. Ramamoorthy was elder to M. Viswanathan by six years, but the placing of their names as Viswanathan Ramamurthy was agreed upon by both parties on the advice of, who had a forsight that the elder Ramamoorthy may handle Viswanathan if his name may come behind Viswanathan's name. That was the beginning where since then both composed several hundred songs together.

However, right from the beginning, the duo displayed a flair for light sweet melodious music. The films like Porter Kanthan, Pasa Valai, Sugam Enge, Sorga Vasal, etc. In the 50s created a lot attention for them.

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In 1956, the duo composed for the Telugu film Santhosham, the Telugu adaptation of the Tamil film with and which was a big musical hit. This was reproduced in Hindi as Naya Aadmi with music by who, impressed by the duo's music, suggested to retain some of the original tunes for the Hindi version. The Hindi song 'Laut gaya gam ka zamana' sung by and in that film, copy of the duo's Telugu song 'Teeyani eenati reyi' sung by and, was a big hit in the North. Towards the latter part of the 50s, the duo were racing ahead with musical hits like, Nichaya Thamboolam, etc. The winning combinations of the duo initially were mainly with the Directors T. Ramanna and who produced some mega hits in the late 50s and early 60s, for which the duo composed excellent music and thereby reaching the No. 1 slot in the early 60s.

Then, after his music composer fell out with him in 1961, engaged the duo for his films and many top hits followed. Major studios like, etc. Were also to engage them later. The composer duo are given the credit in moulding the careers of singers especially that of, and who owe their success partially to the duo and in particular to M.

Viswanathan as they were most regular singers with them. And sang for them, but not so regularly. Had his only collaboration with the duo in the film (1964) in two songs, 'Nenjathai Alli' with L.R.

Easwari and and 'Enna Paravai' with P. But after the split of the duo, he sang with both M. Viswanathan and T.

The split was the result of some problems caused in the duo. In 1964, director directed a film named, starring, etc. It was produced by the duo and they were the composers of the film music too.

The film became a huge flop, and the songs also were not chartbusters. In the magazine, an article came criticizing the failure of the film. Adobe acrobat reader 13. It told that the songs of the film were copied from the Hindi film songs of (1962) and (1964). Even though there were many instances were the duo were criticized for copying Hindi songs, those songs were chartbusters and the films in which they included were huge blockbusters.

This was not in the case of Kalai Kovil. A huge clash started then, which became harsh by the film, which was released at the end of 1964, starring,. The problem arose because there was a scene in which the duo appears during a song record. One day, the legedary Bollywood music director came to. When he knew about the scene in which the duo appears, he told a wish to, the producer of the film. It was that he wanted to see that scene. But on the day scheduled to shoot the scene, Ramamoorthy could not come, while Viswanathan came there wearing a suit.

This scene was not deliberate, but the clashes became more serious and after composing for Aayirathil Oruvan, the duo announced their split. Viswanathan, in his solo career continued to achieve success as he did earlier and composed music for over another 1100 films from 1965-2013, but T. Ramamoorthy as a solo music director could not achieve as much and gradually faded away. He composed for only 19 films from 1966 till 1986. Viswanathan was most in demand and was the highest paid music director from 1965 till 1985.Viswanathan continued to compose music for films actively till 1995 and then took a break composing for devotional songs. But again Viswanathan kept composing till 2013. Being the of, conferred the Thirai Isai Chakravarthy (: திரை இசை சக்ரவர்த்தி) (Emperors Of The Cine Music) title on them in August 2012 and presented with 60 gold coins and a new car to them.

Ramamurthy died in April 2013, leaving Viswanathan as the only living member of the duo. FilmographyYearFilmLanguageDirectorBannerNote1952PanamMadras Pictures1953Tamilassisted1953assisted1953assisted1953MarumagalTamilKrishna Pictures1954Sorga VasalTamilParimalam Pictures1954Sugam EngeTamil1954VairamalaiTamilN. JagannathVaidhyaa Films1954TamilKrishnan PanjuNational Filmsbackground music only1955TamilRR Picturesco-music director (Mayakkum Malai Pozhudhe Nee Po Po)1955TamilKrishna Picturesco-music director1955NeedhipadhiTamilVijaya Films1955SanthoshamTeluguC. Dixit1955Porter KandhanTamilNarasu’s Studios1956Jaya GopiTamilVikram Productions1956Maa GopiTeluguVikram Productions1956PasavalaiTamilA. Nagarajan1956TeluguVikram Productions1956TamilVikram Productions1957Baktha MarkandeyaTamilVikram Productions1957Baktha MarkandeyaTeluguVikram Productions1957Baktha MarkandeyaVikram Productions1957TamilSri Ganesh Movietone1957Pathini DheivamTamilVRV Productions1957TamilKrishnan PanjuKamal Brothers1958Kudumba GauravamTamilVikram Productions1958Kutumba GauravamTeluguVikram Productions1958Malaiyitta MangaiTamilG. NathanKannadasan Films1958TamilBuddha Pictures1958Petra Maganai Vitra AnnaiTamil1959Amudha ValliTamilA.

Sekhar1959TamilSaravana Films1959Raja Malaiya SimmanTamilVikram Productions1959Raja Malaiya SimmhaTeluguVikram Productions1959TamilKannadasan Films1959Thalai Koduthan ThambiTamil1959TamilA. Samy1960Aalokkoru VeeduTamilM. KrishnanSubash Movies1960TamilK. ShankarKannadasan Productions1960TamilNatesh Art Pictures1960Ondru Pattal Undu VazhvuTamilT. RamannaRanga Pictures1960Rathinapuri IlavarasiTamilT.

RamannaSri Vinayaga Pictures1961Bhagya LakshmiTamilK. SreenivasanKanaka Films1961ManapandhalTamilT. RamannaRR Pictures1961TamilSaravana Films1961TamilRajamani Films1961TamilBuddha Pictures1962TamilK.

ShankarPSV Pictures1962TamilPadmini Pictures1962Bandha PasamTamilSanthi Films1962Kathirundha KangalTamilVasumathi Pictures1962Nenjil Or AlayamTamilChithralaya1962Nichaya ThambulamTamilVikram Productions1962Pelli ThambulamTeluguVikram Productions1962Padha KanikkaiTamilK. ShankarSaravana Films1962TamilRanganathan Pictures1962Tamil1962TamilT. RamannaRR Pictures1962Police Karan MagalTamilChithrakala Pictures1962SenthamaraiTamilALS Productions1962Sumai ThangiTamilVisalakshi Productions1962Thendral VeesumTamilVikram Productions1962VeerathirumaganTamilMurugan Brothers1963Tamil& A.

SamyPSV Pictures1963Idhayathil NeeTamilV. SeenivasanMuktha Films1963Idhu SatthiyamTamilK. ShankarSaravana Films1963KarpagamTamilAmarjothi Movies1963Mani OsaiTamilALS Productions1963Nenjam MarappadhillaiTamilManohar Pictures1963TamilKasthuri Films1963TamilK. ShankarSaravana Films1963TamilT.

RamannaRR Pictures1964TamilK. ShankarPSV Pictures1964TamilSathya Movies1964TamilM. NatesanNatesh Art Pictures1964TamilSri Ponni Productions1964Kalai KoyilTamilBhagyalakshmi Pictures1964TamilPadmini Pictures1964Karuppu PanamTamilG. NathanVisalakshi Films1964TamilChithralaya1964TamilVel Pictures1964TamilSaravana Films1964TamilT. RamannaRR Pictures1964Dada Mirasi1964Tamil1964Vazhkai VazhvadharkeTamilKamal Brothers1965TamilK. ShankarSaravana Films1965TamilChanakyaVijaya Productions1965Hello Mister ZamindarTamilK.

MahadevanSudharsanam Pictures1965TamilT. RamannaRR Pictures1965PazhaniTamilBharatha Matha Pictures1965Poojaikku Vandha MalarTamilV. SeenivasanMuktha Fims1965SanthiTamilALS Productions1965Vazhkai PadaguTamil1965TamilChithralaya1965TamilPadmini Pictures1995TamilVSR Pictures.